If you’ve been following my adventures in conservative politics and the new media, then you might know that this is my third website since last July. That isn’t ideal, of course– not if you want to draw readers to your blog. But my life changed so much in 2012 that the moves were necessary. To anyone who got lost in the shuffle, my apologies.
Between November of 2011 and November 6, 2012, I was a Herman Cain supporter, a Rick Santorum grassroots volunteer, worked for Restoring America Project PAC, wrote and edited at Tea Party Tribune then worked for Americans For Prosperity. In the meantime, I started writing for Integrity, which consists of blogging for their business clients’ websites.
Here at Lowering the Boom, you’ll find conservative-themed images, stories and commentary. But don’t expect to find a lot of snarkiness. It’s just not something I’m good at.
– Becca Lower
I admit that I’m writing this review of “The Jim & Mickey Show” for selfish reasons.
My friends are probably getting tired of hearing me talk about the show. So I figured: give people a short review and a shortcut to take a listen themselves (find a player with the most recent podcast below).
But why should they, or you, listen at all? Aren’t there already too many online radio programs now, which drone on about the same topics week in and week out? Sort of.
“The Jim & Mickey Show,” a new, one hour show that sounds like it’s live but is really a podcast which comes out Fridays, is different. It’s not heavy on hard-boiled political strategy, griping about the Establishment or throwing red meat to the masses. It’s not even acidly sarcastic, which is easy enough to do.
If it’s anything, “Jim & Mickey” is good-natured and funny and sometimes goofy — many of the things that people on the right forget to be when they’re in front of a mic or looking into a camera lens. It’s also real.
Among the subjects they discuss on the most recent episodes: Nobel Peace Prize winners and TIME Person of the Year winners, Jim bringing up the NFL’s woes overshadowing the start of the new season’s action on the field, Mickey singing a line from They Might Be Giants’ “Istanbul (Not Constantinople)” during Jim’s recounting of his experiences in Turkey, why stupid people are famous (Mickey thinks it’s our fault, but Jim doesn’t completely agree), with some nuggets of political stories of the day mixed in. While they’re discussing a high profile kidnapping case in the D.C. area, Mickey shares her thoughts on the U.S. drinking age and the wisdom of the buddy system.
If you’re unfamiliar with Jim Geraghty, he writes about politics at National Review Online, and has a new novel, The Weed Agency. And Mickey White has been a political and radio broadcasting stalwart for years.
There is another reason I’m writing this. Because there are so many shows vying for your attention, any newcomer needs a review. And that’s fitting, too, since “The Jim & Mickey Show” is itself a review show, with the hosts deconstructing the world much as Gene Siskel and Roger Ebert used to deconstruct movies on their long-running TV series “At the Movies.” There’s a depth and importance that thoughtful conversations like these have – conversations in which people aren’t agreeing 100% – which will be welcome as we pass the November mid-terms and into another presidential election cycle. More importantly, it’s the kind of conversation that’s just fun to listen to.
The things that Jim and Mickey talk about are, as the show tagline reads, “what you’re talking about.” But they don’t do it in a glib or superficial way. There’s more to any given topic than, “you should be interested because my opinion is so funny/racy/outrageous that you need to repeat it to your friends.” Something else is going on here. Take a listen. And try not to annoy your friends, telling them how great it is.
So, there’s something new happening. I’m finding that I have stories I want to share, but they aren’t all about entertainment or the arts. This time, you’ll find some “potpourri” mixed in with the arts stories. And as always, let me know what you like and what you don’t. Thanks!
Dazed: The film that made Bill Murray quit acting
“Bill is actually a very religious guy — educated at Loyola by the Jesuits, who are really kind of brutal about drumming it into your head,” Byrum told The Old Corner, a fansite dedicated to The Razor’s Edge, in 2003. “I think one of his main draws to this book was the religious theme.”
There’s a dead link in the source quote. Find the full interview with the film’s director and co-writer, John Byrum, here.
Paste: David Lynch-Directed Duran Duran Documentary to Screen in 300 Theaters
[Singer Simon] Le Bon continued, “The most surreal moment for me is when he intercuts footage of somebody barbecuing sausages into the song ‘Come Undone.’ Not what we had it mind, but it’s absolutely hilarious.”
Telegraph UK: How Isil doctored the image of Obama, making him appear haggard in videos
Daily Beast: This Charming Man: Meet ‘Ronnissey,’ Brooklyn’s Fake Morrissey
Pacific Standard: The Truth We Won’t Admit: Drinking Is Healthy
And not just (red) wine, either. A compelling and possibly important read, especially for anyone who abstains from alcohol.
NY Daily News: Mel Brooks leaves 11-finger handprints in cement ceremony outside Hollywood’s Chinese Theatre
Who else thinks this was long overdue?
Yahoo! News via Good Morning America: Minnesota Lottery Winner Going Back to Waiting Tables
Remarkable. The family won 11.4 million… and in case you’re wondering, that lottery pays the state & local taxes on it.
FTR Radio Podcast: “The Dark Side”: Kira Davis returns from hiatus, and talks about her son beginning homeschooling for the first time this school year and other topics: September 9, 2014
Top image credit: Sony Movie Channel
Paste: Prince Releases Two Songs Ahead of New Albums
For Warner Brothers, no less…
Prince returned to Warner Bros. in April, after a bitter split with the company 18 years ago. Appeased by a deal that gave him the rights to his catalog as well as the promise of a 20th anniversary re-release of Purple Rain, Prince has wasted no time supplying new material to his old label.
Stereogum: Brandon Flowers [The Killers] Is Recording A Solo Album With Ariel Rechtshaid
NME reports that Ariel Rechtshaid, who had a hand in [Danielle] Haim’s Days Are Gone as well as other amazing 2013 releases by Vampire Weekend, Sky Ferreira, and Charli XCX, is working with Flowers on a solo record for release next year….
Flowers had this to say about working with Rechtshaid: “He’s taking me out of my comfort zone. Normally I make demos and they’re pretty similar to how the song ends up. but he’ll take a song and be like, ’I hear this.’
You can watch the original ‘Ghostbusters’ on the big screen!
To celebrate the 30th anniversary, the original 1984 film has been restored and remastered in 4K and will be returning to the big screen, in the United States and Canada, for a limited engagement starting August 29 (Labor Day weekend).
EDIT: Read Kira Davis’ essential tribute to the late Joan Rivers. RIP!
Somehow I missed this obituary, while the blog was on hiatus (emphasis mine):
LA Times: Paul Mazursky dies at 84; director chronicled trends of ’60s and ’70s
After the disappointments of “Willie and Phil” (1980) and “Tempest” (1982), his next hit was “Moscow on the Hudson” (1984), which showcased Robin Williams as a Russian musician who defects in the middle of a Bloomingdale’s department store.
“Down and Out in Beverly Hills” (1986) was Mazursky’s greatest commercial success. A farce inspired by the 1932 Jean Renoir film “Boudou Saved From Drowning,” it concerns a wealthy couple (Bette Midler and Richard Dreyfuss) who live in a mansion with a dog that has its own psychiatrist. Their posh life is disrupted by a homeless man (Nick Nolte) who tries to drown himself in their pool. Sympathizing with his plight, the couple invite him to move in.
The purpose of the film was “to reflect on the absurdity of having it all and still having nothing,” Mazursky told the Chicago Tribune in 1986.
Read the whole thing.
I’m a huge fan of ‘Down and Out in Beverly Hills,’ which I saw in the theater and still remember the crowd reaction: continuous, rapturous laughter. You sometimes missed lines, because the audience was still laughing. Another film I love by Mazursky is ‘Tempest,’ his modern take on Shakespeare’s story. It marked the film debut of a young Molly Ringwald, and also included John Cassavetes, Susan Sarandon, and Raul Julia.
There’s a great YouTube interview from 2011 with the director here, covering his entire career.
The Wrap: Paul Mazursky in His Own Words: Director Rates His Movies in Vintage Interview
Image credit: LA Times/Michael Ochs Archives / Getty Images